They formed the charming backdrop to Graham Greene’s sin-filled Saigon in The Quiet American, but the colonial-era buildings of Vietnam’s biggest city are fast disappearing – sparking fears it is losing its unique charm, AFP reports.
Any visitor to Ho Chi Minh City, as Saigon is now known, cannot help but notice the construction cranes dotting an increasingly crowded skyline. They are the most visible symbols of one of Asia’s fastest growing economies.
But like many locals, office worker Tran Trong Vu is dismayed the city’s gleaming new look that is so often acquired at the expense of its colonial-era architecture.
“They have cultural value, so we should preserve them, not replace them with high-rise buildings,” he says.
Others are concerned the demolition of its famed French architectural gems will render Ho Chi Minh City indistinguishable from other Asian megalopolises.
“In the 1960s and 1970s it was very much French, but now it’s very Americanised, McDonald’s on every corner,” says Hiep Nguyen, born in Ho City Minh City and author of several books on its architectural history.
“A streetscape without a story has no value,” he adds.
Much of the demolition is happening in the city’s rapidly-developing downtown core, to keep apace with a mushrooming young population hungry for modernity and to feed the demand for more housing and office space.
But those aren’t the only needs being fed, says Nguyen.
“The key is money, the key is interest groups,” he tells AFP from Sydney, where he now lives.
Developers with deep pockets have scooped up swathes of land in the city centre, with privately-owned old villas or historic municipal buildings replaced by sprawling construction zones.
The most recent demolition to spark ire from conservationists is the Ba Son ship yard, an enormous French-built military complex on the banks of the Saigon River.It is now being developed into a series of highrise towers by Vincom Group, owned by the country’s richest man, Pham Nhat Vuong, dubbed the ‘Donald Trump of Vietnam’.
City officials have inventoried more than 1,000 buildings constructed by the French when they ruled the country from 1887 to 1954 that remain today, including the famed Opera House, Post Office and Notre Dame Cathedral, all must-sees on city tours.
A few of the old haunts on Rue Catinat frequented by Greene remain, but the street is now called Dong Khoi and also features Hermes and Chanel boutiques for the city’s growing number of high-rollers.
There is no comprehensive survey of how many buildings have been demolished.
But in one central district, some 50% of French villas have gone down since 1993, according to Fanny Quertamp, the co-director of the urban development organisation PADDI.
The breakneck pace of destruction has prompted some to leap into action. Former video game developer and conservation buff Daniel Caune is creating a mobile app called “Heritage Go” for city residents and tourists.
The app, which is still in development, will ask users to hold their phones up to colonial-era buildings, and aims to automatically generating images of the edifice in eras past.
“It’s to make people conscious of their heritage,” says Caune, who helps to runs the Heritage Observatory website dedicated to archiving colonial-era buildings in Vietnam.
City officials are now writing a nine-point plan to classify buildings and mark some for protection, but admit such a huge task could take years to be implemented.
“Pressure for economic development is very high,” says Tuan Anh Nguyen, deputy head of the architecture research centre in Ho Chi Minh City’s planning department.
He said many developers who scoop up precious downtown land do not value historic buildings, adding that he would like to see the structures incorporated into development plans, as has happened in Old Montreal, for example.
The destruction in Ho Chi Minh City comes even as developers have built a replica French medieval village in the tourist hub of Danang, drawing foreign and local tourists keen for a slice of history.
The city risks losing the millions of tourists that stop into the city every year to soak in its colonial charm, said architect Ngo Viet Nam Son. “It’s like losing the chicken that gives the golden egg,” he says.